Bradley Fuller

Producer, Host

Originally from Greenwood, South Carolina, Bradley Fuller has maintained a deep interest in classical music since the age of six. With piano lessons throughout grade school and involvement in marching and concert bands on the saxophone, Bradley further developed musical abilities as well as an appreciation for the importance of arts education.

After high school, he pursued a Bachelor of Arts in Music at the University of South Carolina, studying under Phillip Bush. Bradley also acquired an economics degree while there. During the summer months, he gained media experience working for the McCormick Messenger newspaper as a reporter and advertising sales representative. In his free time, Bradley likes to read, explore the outdoors, go thrifting, and play piano.

Ways to Connect

Pedja Muzijevic.
pedjamuzijevic.com

At home performing the sonatas of both Joseph Haydn and John Cage, Pedja Muzijevic is a versatile musician. Pedja’s skills as a pianist and harpsichordist make him an important part of the Spoleto Festival USA Bank of America Chamber Music Series at Dock Street Theatre, which features works from the Renaissance to the twenty-first century over the course of eleven programs.

This year, Pedja is taking his talents beyond the Dock Street’s stage to the Charleston Gaillard Center, where he’s performing a piano concerto by his favorite composer for the genre: Wolfgang Amadeus Mozart.

Reggie Workman at the Charleston Jazz Academy.
Leigh Webber

Working with jazz legends like John Coltrane, Art Blakey, Thelonious Monk, and numerous others has given double bassist Reggie Workman more than a little perspective on music-making. On Monday, June 4th, the eighty-year-old exponent of hard bop and avant-garde jazz shared some of that perspective with students through a lecture/demonstration at the Charleston Jazz Academy. The academy, located on West Montague Avenue in North Charleston, absorbed the Leonard School of Music in 2017, and is the educational arm of Charleston Jazz.

Peter Moore
Twitter @peter_moore

With string quartets, piano trios, and woodwind quintets often receiving the spotlight, the trombone is seldom a contender for pride of place among instruments featured in chamber music programs. If included at all, it’s often sharing the stage with four other instruments as part of a brass quintet.

But for this year’s Spoleto Festival USA Chamber Music Series, the trombone is representing the brass family all by itself.

Spoleto Festival USA presents the US premiere of Liza Lim's Tree of Codes, based in part on Jonathan Safran Foer's book.
Nina Jua Klein

Among the featured operas of the 2018 Spoleto Festival is Tree of Codes, a 2015 work by Australian composer Liza Lim.  The opera received its US premiere on May 26th at Dock Street Theatre, and is being performed there through June 7th under the direction of Ong Keng Sen. Performing Tree of Codes is the Spoleto Festival USA Orchestra, conducted by John Kennedy. Singers Elliot Madore and Marisol Montalvo fill the two on-stage roles.

The JACK Quartet
Shervin Lainez

Coordinated playing is essential for the members of an internationally-recognized string quartet... coordinated choreography, not so much.

Unless that quartet is taking on Mark Applebaum’s Darmstadt Kindergarten.

Composer, double-bassist, Doug Balliett
metropolisensemble.org/

From playing double bass, to teaching historic performance at Julliard, to writing poetry and works of music, contemporary American composer Doug Balliett stays busy. As composer-in-residence for the chamber music series of the forty-second Spoleto Festival USA, Doug is not only providing original works, arrangements, and guidance on their interpretation, but is also a performer in a majority of the series’ thirty-three concerts. The series runs through June 10th, with all performances held at the Dock Street Theatre in Charleston.

Carlo Colla and Sons Marionette Company presents Cimarosa's opera at the Emmett Robinson Theatre at College of Charleston, May 28 to May 30. Members of the Westminster Choir will accompany the opera.
Photo courtesy of Carlo Colla and Sons Marionette Company

With its humorous situations, tangle of love interests, and recognizably-flawed characters, Domenico Cimarosa’s Il Matrimonio Segreto (The Secret Marriage) is an emblematic example of eighteenth-century opera buffa. A feel-good production of its day, Il Matrimonio Segreto was the type of work that had those in an audience laughing as much at themselves as the cast members before them. In other words, relatability was one of its hallmarks.

Spoleto Festival USA Chamber Music director, Geoff Nuttall.
Spoleto Festival USA

For violinist Geoff Nuttall, finding the right performers for the Bank of America Chamber Music Series is critical. 

"Everybody that comes is not only amazing and an incredible player," Geoff says, "but also super-easy to work with and a joy to hang out with."

Gilles Vonsattel
gillesvonsattel.com

South Carolina Public Radio’s Bradley Fuller talks with pianist Gilles Vonsattel, who is performing in the Spoleto Chamber Music Series. In recent year Vonsattel has made his Boston Symphony, Tanglewood, and San Francisco Symphony debuts, while performing recitals and chamber music world-wide. He is a newcomer to the Spoleto Festival, and he discusses his upcoming performances of Wilhelm Friedrich Ernst Bach “Das Dreyblatt” for Six Hands (Chamber Music Program X) and Thomas Adès “Catch”(Program XI).

Joshua Roman
Hayley Young

Joshua Roman's versatility and adventurous spirit as both a cellist and a composer have gained international attention. He performs his own composition, Riding Light, at the 2017 Spoleto Festival USA Chamber Music Series. He talks with Bradley Fuller about the piece, about the challenges of playing his own work, and about why he calls himself a "curator."

The Rolston String Quartet: Jonathan Lo, Cello; Hezekiah Leung, Viola; Jeffrey Dyrda, Violin; Luri Lee, Violin.
rolstonstringquartet.com

First Prize winner of the prestigious 2016 Banff International String Quartet Competition, the Rolston String Quartet has become Canada's newest ensemble attracting attention on the international stage.  As Germany's Südwest Press stated of their recent performance, "an impressive, deeply serious interpretation...highly sensitive, delicately transparent. A musical sound treasure, blissful."

Cellist Jonathan Lo talks with Bradley Fuller about the quartet's performances at the 2017 Spoleto Festival USA Chamber Music series.

Geoff Nuttall, Artistic Director of the Bank of America Chamber Music Series at Spoleto Festival USA.
Julia Lynn Photography

Spoleto Chamber Music Series Director, Geoff Nuttall, also plays in many of the 33 concerts in which he acts as host. Geoff finds it particularly challenging to jump from his role as MC into the chair of first violinist for the St. Lawrence Quartet. Geoff talks with Bradley Fuller about how "old music speaks and benefits from being pushed up against new music, and vice versa."

Festival Resident Conductor and Director of Orchestral Activities John Kennedy leads the Spoleto Festival USA Orchestra.
Julia Lynn, 2015

John Kennedy is a familiar face at Spoleto Festival USA. As Resident Conductor and Director of Orchestral Activities, John has a pivotal role some of the festival's biggest performances. He talks with Bradley Fuller about the opera Quartett, Mahler's 4th Symphony, his love of Charleston, and the atmosphere of Spoleto USA.

Jaroslaw "Jarek" Kapuscinski
music.stanford.edu

Jaroslaw "Jarek" Kapuscinski is this year’s composer-in-residence for the Spoleto Festival’s Chamber Music Series. With a strong interest in technology, Jarek takes his work beyond mere notes on a page to create a multimedia experience. He tells Bradley Fuller that a childhood dream of being a sorcerer, a life long devotion to music, and his discovery in his early twenties of computer technology, all combine in his multi-media performances.

Director and violinist Geoff Nuttall (far left) directs and hosts the Bank of America Chamber Music Series at the Dock Street Theatre, featuring the St. Lawrence String Quartet.
William Struhs, 2016

Spoleto Chamber Music Series Director Geoff Nuttall's eclectic approach to programming concerts at the festival has its roots in a record collection he started in his youth. Nuttall says that, while eclecticism is important to him, the quality of a program should never suffer "just for the sake of eclecticism."

Pianist Pedja Muzijevic plays one of the pianos in the Hamburg Steinway & Sons showrooms in Germany. March 8, 2017.
Christina Czybik

In "Haydn Dialogues," pianist Pedja Muzijevic creates a "conversation" among four Haydn sonatas four 20th century works. Muzijevic's recital is part of the Music in Time series at Spoleto Festival USA.

It may go without saying that Ken Lam, music director of the Charleston Symphony Orchestra, is well-versed in matters relating to the study and performance of some of the world's greatest works of music--several conducting awards and time spent learning from maestros like Leonard Slatkin are proof enough of that. What might be more surprising is that his resume also includes an economics degree from Cambridge and a decade of experience in law.

As Observatory Manager at the South Carolina State Museum, Dr. Matthew Whitehouse is keeping busy with a few preparations for the upcoming solar eclipse on August 21st—he has even written a piece of music inspired by the event. The astronomy educator is also an organist and composer, and doesn’t mind taking an interdisciplinary approach when it comes to celestial phenomena. In fact, merging seemingly separate fields is one of his major interests.